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Los 10 mejores álbumes de Cannonball Adderley que debes tener en vinilo

El June 14, 2018

Julian Edwin "Cannonball" Adderley got the New York jazz world talking the second he took the stage in 1955. Originally from Florida, this gregarious man had originally intended to pursue graduate studies and came to Manhattan to do so. He had been the high school band director at the Dillard High School in Ft. Lauderdale and had a local following as a musician there as well. He and his brother Nat had played with Ray Charles in the 1940s. But, he didn’t come to New York to play the clubs specifically. He wanted a higher education. By chance, he was asked to sit in with Oscar Pettiford one night at the Café Bohemia and that changed everything. Talk of a new Charlie Parker on the scene began immediately.

Soon Adderley had formed a group with his brother and they worked the club circuit and recorded a number of albums for the likes of Savoy and EmArcy Records. Eventually, Cannonball was brought in to join the Miles Davis Sextet, which he played with for two years. After his split from Davis’ group, Cannonball went on to help pioneer soul jazz, post-bop and a number of other subgenres.

Adderley was a fun-loving guy who liked the audience to have a good time, but he was also a thought-provoking artist and he addressed that with every genre that he played in. Oh, about that nickname? During Adderley’s youth, a guy in one of his early groups tried to make fun of his weight by calling him a “cannibal” but mispronounced it as can-i-bol. The other bandmates used “can-i-bol” to lightly make fun of the would-be mocker and the name eventually morphed into Cannonball. Or so the story goes. Anyway, here are the 10 best Cannonball Adderley albums to own on vinyl in chronological order.

Presentando a Cannonball Adderley

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El álbum debut de Adderley de 1955 estableció el tono para lo que vendría. Aunque está lleno de números bailables, los solos de Cannonball aquí son aventureros y seguros de sí mismos. La pista de apertura, Spontaneous Combustion, comienza con una figura de piano similar a una telaraña antes de que la banda se lance a un groove de blues perfecto para una noche de baile en el club. A medida que la pista avanza, cambia de marcha y nos impactan los solos de bajo y batería. Este es el clásico Cannonball; siempre listo para una buena diversión, pero nunca olvidando que el jazz también es un arte. O tal vez viceversa. Esta vibra continúa a lo largo del álbum hasta el final. Definitivamente una gran escucha primaveral.

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Presentando fue también el debut del hermano de Cannonball y colaborador de toda la vida, Nat Adderley. Nat, que era un trompetista muy talentoso, tendría su propio álbum en solitario publicado sólo dos semanas después de que Presentando a Cannonball Adderley llegara a las calles. También se unieron a los hermanos Adderley Donald Byrd, Horace Silver, Hank Jones, Paul Chambers, Kenny Clarke y Jerome Richardson. Todos ellos son leyendas de la era del bebop clásico en el jazz.

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CJ Hurtt

CJ Hurtt is a record nerd and writer who lives in a remote fishing village in the Pacific Northwest. His work has appeared in Word Riot, various games for Aegis Studios, and Brain Scan Comics.

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