Julian Edwin "Cannonball" Adderley got the New York jazz world talking the second he took the stage in 1955. Originally from Florida, this gregarious man had originally intended to pursue graduate studies and came to Manhattan to do so. He had been the high school band director at the Dillard High School in Ft. Lauderdale and had a local following as a musician there as well. He and his brother Nat had played with Ray Charles in the 1940s. But, he didn’t come to New York to play the clubs specifically. He wanted a higher education. By chance, he was asked to sit in with Oscar Pettiford one night at the Café Bohemia and that changed everything. Talk of a new Charlie Parker on the scene began immediately.
Soon Adderley had formed a group with his brother and they worked the club circuit and recorded a number of albums for the likes of Savoy and EmArcy Records. Eventually, Cannonball was brought in to join the Miles Davis Sextet, which he played with for two years. After his split from Davis’ group, Cannonball went on to help pioneer soul jazz, post-bop and a number of other subgenres.
Adderley was a fun-loving guy who liked the audience to have a good time, but he was also a thought-provoking artist and he addressed that with every genre that he played in. Oh, about that nickname? During Adderley’s youth, a guy in one of his early groups tried to make fun of his weight by calling him a “cannibal” but mispronounced it as can-i-bol. The other bandmates used “can-i-bol” to lightly make fun of the would-be mocker and the name eventually morphed into Cannonball. Or so the story goes. Anyway, here are the 10 best Cannonball Adderley albums to own on vinyl in chronological order.
Debutový album Adderleye z roku 1955 nastavil tón pro to, co mělo následovat. Úplně plné tancovatelných čísel, Cannonballovy sóla zde jsou dobrodružné a sebevědomé. Úvodní skladba, Spontaneous Combustion, začíná pavučinovou klavírní partiturou, než se kapela vrhne do bluesového rytmu ideálního pro noc tance v klubu. Jak skladba pokračuje, mění se rychlost a my dostáváme sóla na basu a bicí. To je klasický Cannonball; vždy připraven na dobrou zábavu, ale nikdy nezapomínající, že jazz je také umění. Nebo snad naopak. Tato atmosféra pokračuje celou albem až do konce. Určitě skvělé jarní poslouchání.
\nPředstavujeme bylo také debutem Cannonballova bratra a celoživotního spolupracovníka, Nata Adderleye. Nat, který byl vážně zručným trumpeterem, měl vlastní sólové album venku jen dva týdny poté, co Představujeme Cannonballa Adderleyho přišlo na trh. K Adderleyovým bratrům se přidali Donald Byrd, Horace Silver, Hank Jones, Paul Chambers, Kenny Clarke a Jerome Richardson. Všichni jsou legendy v klasickém bebopovém období jazzu.
CJ Hurtt is a record nerd and writer who lives in a remote fishing village in the Pacific Northwest. His work has appeared in Word Riot, various games for Aegis Studios, and Brain Scan Comics.
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