Warren Zevon would have been 70 today. A songwriter's songwriter, he never found the same fame as his contemporaries–the Eagles and Jackson Browne among them–but he had plenty of fans, including Bruce Springsteen, Bob Dylan, Hunter S. Thompson, Stephen King and David Letterman, who hosted Zevon's last public appearance on The Late Show.
But, as he wrote in 2000, Life'll Kill Ya, and the man who famously sang "I'll Sleep When I'm Dead" died Sept. 7, 2003 from pleural mesothelioma, a lung cancer caused by exposure to asbestos. And though he left us too early, he left behind a comparatively small but genius catalogue far beyond the hit "Werewolves of London."
Nothing indicates that a person is well-read and clever like finding out that they have some well-loved Zevon records in their collection. These five albums are essential for any collection, and though they don't cover his whole discography, they're enough to get any listener started on a journey through LA's gritty back alleys, Africa's steamy jungles, and maybe a Chinese restaurant or two.
是的,这张专辑包括了“Werewolves of London”,“Excitable Boy”和“Roland The Headless Thompson Gunner”,这三首都是Zevon最著名的歌曲,但它还有更多。从“Johnny Strikes Up The Band”的热情开场音符到“Accidentally Like a Martyr”的崇高忧郁,再到“Nighttime in the Switching Yard”中的光滑与肮脏的放克影响,以及几乎接近轻音乐电台风格的“Tenderness on the Block”,Zevon创作了一张不仅定义了光滑的70年代洛杉矶声音的专辑,还带领听众远离穆尔霍兰。许多人效仿并获得成功,但没有人能超越原作,尤其是那句歌词“他挖开她的坟墓/用她的骨头建造一个牢笼”。确实,Awwooo。
几乎每个创作歌手都会有个时刻,感到必须写一写名声多么糟糕。见鬼,Billy Joel,一个与Zevon同为70年代的钢琴音乐家,天赋还不及三分之一,却得到了六倍的荣耀,他将自己职业生涯中相当一部分时间用于抱怨工作有多糟糕。但Sentimental Hygiene 是一首关于洛杉矶生活的简单而冷静的沉思,写于Zevon在1984年去戒酒所治疗酗酒后。然而,戒酒并未使Zevon的讽刺感减弱,“Detox Mansion”和“Even the Dog Can Shake Hands”上的机智依旧。他的讲故事才能也没有减退,包括关于传奇拳击手Ray "Boom Boom" Mancini的民谣和另一首充满放克历史的作品“Leave My Monkey Alone”。这张专辑既动听又聪明,充满了Zevon特有的真挚与亲密。
他的《Asylum Records》首张专辑以“Frank & Jesse James”那看似简单的旋律开场,随后全乐队随之而来,唱出赢得了文艺界粉丝的叙事民谣,包括Carl Haissan和Mitch Albom。但在那些高端民谣如“Mama Couldn't Be Persuaded”(灵感来自于他自己那无情的黑帮老爹和脆弱的摩门教母亲)之间,还夹杂着许多生动的坏决定歌曲,包括“Poor Poor Pitiful Me”和“I'll Sleep When I'm Dead”。更有黑暗的人物贯穿Zevon的每张专辑,从“Carmelita”中的海洛因成瘾者到“The French Inhaler”中的悲伤淘金者,再到“Desperados Under The Eaves”中Zevon自己绝望的赤裸亲密描绘。空调的嗡嗡声从未如此听起来像是心碎般。
在“Jungle Work”和“Play It All Night Long”等曲目中,磨人的吉他音色,加上讽刺性标题曲经过传闻是在一堆沙石的垃圾桶中用史密斯-威森手枪干射所制作的手击声,形成了这张在严厉与滑稽之间交替的专辑。虽然这张专辑因在可能是Zevon最黑暗的歌曲“Play It All Night Long”中使用“brucellosis”而出名,它也包括一些轻松愉快的曲调,例如“Gorilla You're a Desperado”,这是关于一只猩猩偷走叙述者的BMW和女人的引人入胜的小曲,虽然发现笼子外的生活可能比他想象的要复杂得多。怎么能不爱这样一首包含“最重要的,我很抱歉让你感到忧伤/我打赌那只猩猩也会这样”的歌曲呢。
Zevon与Asylum告别的最后一张专辑在他在吸毒和酗酒后恢复期间写成,这张专辑是聪明、丑陋且充满希望的。这首同名曲灵感来自美国外交官Philip Habib,对于一个普通艺术家来说,会是一个危险的选择,但对像Zevon这样的讲故事大师而言,仅在三分钟十二秒内,几乎就能演绎一场詹姆斯·邦德电影。“Ain't That Pretty At All”是一场地狱般的狂欢,紧接着的“Charlie's Medicine”是一首关于被谋杀毒贩的低调旋律,以阴暗的光线描绘了这张专辑,但如果没有一点幽默,就不是Zevon了,像“The Hula Hula Boys”,讲述一名男子在度假期间将妻子输给夏威夷舞者,以及充满无奈但又充满希望的“Looking For The Next Best Thing”。
Transverse City, Stand in the Fire, The Wind(他最后那张令人难以置信的专辑)和Wanted: Dead 或 Alive也有发行黑胶,真希望有一天我们能再版Mutineer, Mr. Bad Example, Life'll Kill Ya, 和 My Ride's Here, 一些曾在欧洲超限量发行的唱片,如今售价不菲。
但至今,祝你生日快乐,Warren。在地球上我们都很想念你。