When one thinks of funk, the name Bootsy Collins shines like a neon beacon. With more than five decades in the music industry, the legendary bassist’s innovative style and larger-than-life persona have made him a central figure in the evolution of funk music. As Collins prepares to release his latest album, #1 Funkateer, on April 11, 2025, the renewed interest in his work — amplified by cultural figures such as Vice President Kamala Harris — provides an opportunity to celebrate and understand his extensive legacy.
From defining his identity against the backdrop of James Brown's tight orchestration to singing the praises of free-form improvisation with George Clinton, Collins's journey epitomizes the essence of funk. What does it mean to be Bootsy Collins today, and how does his upcoming album reflect this question? These are some of the ideas we will explore.
Bootsy Collins's foray into the world of funk began at an unexpectedly young age. Born on October 26, 1951, in Cincinnati, Ohio, Collins started playing music during his teenage years, marking his early career with a stint in the Pacesetters. His life changed dramatically in 1970 when he received a call from the Godfather of Soul himself, James Brown.
In a moment that would shape his career, Collins and his band were whisked away via Learjet to perform alongside Brown. “That’s how we made it through that night — but after that night, we had about two weeks of straight rehearsal, every single day,” Collins recalls, underscoring both the demanding nature of the gig and the rapid rise to prominence he experienced.
However, personal and professional friction with Brown led Collins to seek greener pastures. In a pivotal moment, Collins left Brown's band to join the cosmic soundscape of George Clinton's Parliament-Funkadelic. This transition was not merely a change in affiliations but represented a fundamental shift in Collins's artistic approach.
Under Clinton's tutelage, Collins adopted a more liberated, improvisational style. In the Funkadelic experience, he found a space where he could fully express his creativity. “By the time I got with George, I got a little more freedom — well, a lot more freedom — to do funk,” Collins observes.
Funkadelic's music was chaotic yet structured, a blend that allowed Bootsy to explore various musical avenues. This era of creativity birthed numerous alter egos, including his most famous, Bootzilla, and those playful yet eccentric monikers contributed to Collins's whimsical stage presence.
Now at 73, Collins is preparing to share #1 Funkateer. The album represents a culmination of years of experimentation and growth. It steers away from the tightly woven tracks of his earlier work and embraces a more expansive structure over its runtime.
Tracks like “The InFluencers,” featuring rapper Snoop Dogg, delve into a soundscape where hip-hop infuses funk, bridging generations of fans. Collins also experiments with genre-bending tracks that weave metal, electronic, and hip-hop, such as “Barbie T & Me” and “I.Am.AI.” This communicative and eclectic approach is a testament to how Collins has adapted over the years while remaining true to his funk roots.
While preparing for the album's release, Collins reflects on how technology has made it possible to explore more diverse sounds and longer track compositions compared to his earlier work with Bootsy’s Rubber Band.
“The jams were just so long. You could only put so much on an album back in the day without it not sounding good,” he explains, indicating how times have changed. The current landscape allows more extensive explorations of music, contributing to a richer listening experience.
Moreover, Collins has been actively involved in running his indie label, Bootzilla Records, which supports emerging artists. His label has artists like Fantaazma and Myra Washington, showcasing a desire to nurture talent that aligns with his funk ethos.
Despite his significant impact on music, Collins's legacy has gallantly lurked under the shadows of other musical icons. It was not until recent acknowledgments from prominent figures like Kamala Harris that awareness for his contributions began to experience a resurgence. During a campaign event, Harris made headlines by recognizing Collins, prompting public discourse about the importance of educating people about the pillars of funk and artistry.
“Harris raised valid points. Funk was a bad word when we first brought it. Radio wouldn’t even touch us in the beginning. But it was something that the people stood up for,” Collins recalls, revealing aged frustrations that still resonate.
What Collins emphasizes is the necessity to educate new generations about funk’s origins. While mainstream R&B and pop have enjoyed spotlight moments, the nuanced heritage of funk has often been sidelined, despite shaping extensive musical genres. From hip-hop legends to alternative rock stars, the lineage feels omnipresent yet underappreciated.
Collins sees his music as a purveyor of this needed education: “The world needs to know why we matter. Funk influences every genre we hear today, from hip-hop to the pop hits of mainstream music, and it’s time we bring this to the forefront.”
As Bootsy Collins prepares for the release of #1 Funkateer and potential collaborations with his longtime creative partner George Clinton, the anticipation involves more than just new tunes; it embodies a cultural moment. The enduring power of funk, with Collins at its helm, stands as a reminder that musical genres are never static but continually evolving.
With a broad palette that includes the avant-garde alongside traditional roots, Collins remains an ever-relevant figure in discussions about the historical context of music genres. His narrative weaves through personal and collective experiences, allowing his story to resonate uniquely with each new generation encountering funk for the first time.
What’s next for Bootsy Collins? Beyond the upcoming album, there’s ongoing dialogues with Clinton about a potential tour that promises an experience steeped in both nostalgia and innovation.
Collins's new album, #1 Funkateer, reflects a genre-blending journey through funk, hip-hop, metal, and electronic music, showcasing his artistic evolution and collaborative spirit.
Bootsy Collins was a bassist for James Brown in the early 1970s, joining Brown's band for a specific engagement before moving on due to creative differences.
Collins was instrumental in defining the sound of funk through his work with Bootsy's Rubber Band and Parliament-Funkadelic, influencing various artists and genres along the way.
Kamala Harris recently highlighted Bootsy Collins's contributions to music during a campaign event, emphasizing the need for greater awareness of funk's cultural significance and its historical roots.
Bootsy Collins's album will be available on most music streaming platforms starting April 11, 2025.