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9 to 5 and Odd Jobs was received as a return to country form for the singer after her pop dalliances, but to Parton herself it was something even bigger and more ambitious than that. “Now I can write and record whatever I want, whatever way I want,” she told the Chicago Tribune shortly after the album was released, explaining that her pop success had freed her from the churn and expectations of Music Row.
What she wanted, it turned out, was both fun and smart, country and irreverent. The album’s politics and tone are established with its undeniable, era-defining title and opening track, which somehow distills the ideas of 9 to 5 even better than the movie itself does in an absolutely addictive pop package.
1 9時から5時まで |
2 困難な時代へそして静かに寄り添っていこう |
3 日の出の家 |
4 亡命者(ロスガトスの飛行機事故) |
5 普通の人に歌う |
1 Working Girl |
2 Detroit City |
3 But You Know I Love You |
4 Dark As A Dungeon |
5 Poor Folks Town |
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