The intersection of music and technology has reached new heights, especially as emerging platforms redefine traditional industry norms. On April 9, 2025, the global music project Eternal Moon hosted an official Twitter Space interview that captivated an audience of 30,000 listeners. This unprecedented turnout illuminates not just the project itself but also signals an awakening interest in how Web3 technologies are reshaping the music landscape. As blockchain-based initiatives gain traction, the “Eternal Moon” project serves as a compelling case study in the evolving world of Real World Assets (RWAs) and their integration into creative industries.
Central to this venture is Punkvism, the driving force behind Eternal Moon and an ambitious player in the RWA sector. This narrative explores the details of this landmark interview, examining its implications for both the music industry and the broader Web3 ecosystem.
Eternal Moon represents more than just a tribute album; it embodies a fusion of art and technology. The project is characterized by its unique approach to generating value through community participation and the innovative use of Web3 frameworks. During the Twitter Space, the discussion was facilitated by Evan Luthra, an advisor to Eternal Moon and a notable figure in global technology. Alongside him were Katrina Park from the Punkvism team and Lenny Nicholson, a former Senior Vice President at Sony Music Columbia Records.
Nicholson underscored the project’s philosophy by stating, “Eternal Moon is more than just a tribute album—it’s a new platform where Web3, music, and community values intersect. I’m convinced of this project’s scalability and impactful potential.” The aim goes beyond commercial success; part of the proceeds from Eternal Moon will be allocated to charity, enhancing the project’s appeal as a socially responsible initiative.
This positioning aligns with the broader ethos of Punkvism, which seeks to integrate RWAs into various aspects of entertainment and drive community engagement. The project symbolizes a dedication to blending creativity with technology in a way that prioritizes shared benefits.
Punkvism is committed to creating a Web3 integrated ecosystem that links RWAs with NFTs, gaming, content, and decentralized autonomous organization (DAO) governance. This multifaceted approach allows users—whether artists, collectors, or consumers—to generate value directly and receive transparent rewards.
The rise of projects like Punkvism and Eternal Moon parallels notable trends in the music industry. Web3 allows for more distributed power structures where artists retain a greater share of their earnings, contributing to a sense of community ownership over art and content creation. One can look to initiatives like Audius, a decentralized music streaming platform, as an early example of how technology can transform the artist-audience relationship.
According to a representative from Punkvism, “This Twitter Space highlighted that Eternal Moon is not just a music project, but the beginning of a Web3-era community-driven cultural content ecosystem on a global scale.” These statements reflect ambitions to connect real-world assets with entertainment, setting a precedent for future collaborations and further developments.
The enthusiastic attendance at the Twitter Space hints at a growing potential for global engagement within the Web3 music community.
Punkvism aims to foster a dynamic community by encouraging audiences to participate actively in upcoming initiatives. Those interested in joining can find Punkvism’s official channels on platforms like Twitter, Discord, and Telegram, which are avenues for engagement and feedback.
This engagement strategy highlights how Punkvism seeks to break down traditional industry barriers. By leveraging social media platforms for live interactions, projects like Eternal Moon can stimulate discussions around community needs, creative aspirations, and even investment opportunities.
As the music industry increasingly adapts to technological advancements, projects that blend creativity, community, and technology will likely redefine audience engagement. Punkvism’s venture into the RWA space, particularly through a tribute album like Eternal Moon, reveals new pathways for artists to create compelling narratives around their music.
The implications of such models extend beyond music production to areas such as distribution, marketing, and even fan interaction. By incorporating NFTs and DAOs, artists can enjoy a new level of autonomy in how they distribute their art while simultaneously retaining a share in the ongoing revenue streams that their work generates.
The heightened focus on Eternal Moon has also brought renewed interest in Punky Kongz, Punkvism’s flagship NFT. As anticipation builds around the release of Eternal Moon, stakeholders and community members express excitement regarding potential investments in these limited assets.
As a representative indicated, “Expectations for the success of Eternal Moon and the increasing scarcity of the Punky Kongz NFT are raising interest among stakeholders…” This scarcity not only enhances the appeal of the NFTs but also creates a sense of urgency for early participants considering integration into the Punkvism ecosystem.
Various case studies in the realm of Web3 music have emerged in recent years, demonstrating the potential for community-centered models to thrive.
Audius offers a notable example of a decentralized music streaming platform that allows artists to publish their music without intermediaries, which empowers them to keep more revenue. The platform has attracted over 5 million monthly active users and highlights a progressive shift in how music can be shared and monetized in the digital age.
Another example is Sound.xyz, a platform that enables musicians to monetize their work through community-driven minting of songs as NFTs. By allowing artists to pre-sell their music, the platform democratizes audience engagement and revenue generation.
Both examples illustrate how the elements integrated into Punkvism's initiative—direct artist compensation, community involvement, and innovative use of technology—are gaining traction and may soon define a new standard in the music industry.
The success of Eternal Moon’s Twitter Space interview exemplifies the enthusiasm surrounding Web3 music initiatives. As Punkvism continues to shape its vision by intertwining community, technology, and real-world assets, the historical significance of this project cannot be underestimated. This moment may mark the genesis of a transformative shift within the music industry as we enter a new era defined by decentralization and collaboration.
In blending the nostalgic allure of Michael Jackson's artistry with the cutting-edge possibilities of Web3, Punkvism and its partners are positioned at the forefront of a movement intent on reshaping how music is crafted, shared, and valued. As they pave the way for emerging artists and reimagine content ownership, musicians, fans, and stakeholders alike await the unfolding story of Punkvism in the global music landscape.
Eternal Moon is a global music initiative developed under Punkvism aimed at creating a Michael Jackson tribute album, leveraging Web3 technologies and emphasizing community participation.
You can engage with Punkvism via their official channels on social media platforms such as Twitter, Discord, and Telegram, where they host discussions and share updates on projects.
The goal of Punkvism with Eternal Moon is to blend music, together with the values of community engagement, social responsibility, and the use of blockchain technology to create a new model of artist compensation and community-driven content.
Punky Kongz is Punkvism's flagship NFT, and its increasing scarcity and associated value are being highlighted alongside the promotional efforts surrounding Eternal Moon, attracting interest from stakeholders and potential investors.
The 30,000 live listeners reflect growing global interest in Web3 music projects, signaling to the industry that audiences are eager for innovative approaches that allow for direct engagement and participation in the music creation and distribution process.