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The year was 2000, but what are numbers really? The album was Stankonia, then and now a singular word that means whatever you want it to mean, but only refers to the groundbreaking, flawless, and lawless fourth album from two gentlemen who went by OutKast. OutKast, then at the absolute peak of the powers following 1998’s masterpiece, Aquemini, were at a crossroads: André 3000 could no longer be confined to the hazy three-piece and a side southern rap production, and Big Boi was too good a rapper to be similarly confined. The group—whose musical in influences ran deeper than rap (peace to Kate Bush)—decided to blow up their entire creative process, pulling in snippets from the music in dance clubs in Atlanta, New Wave, funk, soul, psychedelic rock, and gospel, while fill...
