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“I think most of it takes place in dreams,” Caleb Landry Jones says of his debut solo album, The Mother Stone. “I’m talking more about dreams than I am about what’s happened in the physical realm. Or I’m talking about both, and you’re not sure what’s what.”
This is the kind of conversation you end up having about a record like this one, a sprawling psychedelic suite built from abrupt and disorienting detours and schizoid shifts of voice, its manic energy forever pulling the tablecloth out from under classic pop orchestration. One minute you’re squarely in the realm of biographical fact and a moment later you’re having a discussion about lucid dreaming and how Jones once punched up a dream set on a soccer field by willing himself to experience it from the POV of the...
1 \Hari Bendera / Batu Ibu\ \\ |
2 \Kamu sangat luar biasa\ \\ |
1 \Saya suka anjingmu\ \\ |
2 \Katya\ \\ |
3 \Segala yang aku ada dalam dirimu / Cacing Besar\ \\ |
4 \Tidak ada tempat di mana tidak ada yang mati\ \\ |
1 \Menjilat Hari\ \\ |
2 \Untuk Waktu Terpanjang\ \\ |
3 \Bubur Hodge-Podge\ \\ |
4 \Saya Ingin Mencintaimu\ \\ |
1 \Saya yang Agung\ \\ |
2 \Lullabbey\ \\ |
3 \Tidak ada di mana Tidak Ada yang Mati (Sebuah Rasa Sakit yang Menakjubkan)\ \\ |
4 \Terima Kasih Telah Tinggal\ \\ |
5 \Planet Kecil Babi\ \\ |
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