Julian Edwin "Cannonball" Adderley got the New York jazz world talking the second he took the stage in 1955. Originally from Florida, this gregarious man had originally intended to pursue graduate studies and came to Manhattan to do so. He had been the high school band director at the Dillard High School in Ft. Lauderdale and had a local following as a musician there as well. He and his brother Nat had played with Ray Charles in the 1940s. But, he didn’t come to New York to play the clubs specifically. He wanted a higher education. By chance, he was asked to sit in with Oscar Pettiford one night at the Café Bohemia and that changed everything. Talk of a new Charlie Parker on the scene began immediately.
Soon Adderley had formed a group with his brother and they worked the club circuit and recorded a number of albums for the likes of Savoy and EmArcy Records. Eventually, Cannonball was brought in to join the Miles Davis Sextet, which he played with for two years. After his split from Davis’ group, Cannonball went on to help pioneer soul jazz, post-bop and a number of other subgenres.
Adderley was a fun-loving guy who liked the audience to have a good time, but he was also a thought-provoking artist and he addressed that with every genre that he played in. Oh, about that nickname? During Adderley’s youth, a guy in one of his early groups tried to make fun of his weight by calling him a “cannibal” but mispronounced it as can-i-bol. The other bandmates used “can-i-bol” to lightly make fun of the would-be mocker and the name eventually morphed into Cannonball. Or so the story goes. Anyway, here are the 10 best Cannonball Adderley albums to own on vinyl in chronological order.
Album debut Adderley pada tahun 1955 menetapkan nada untuk apa yang akan datang. Meskipun penuh dengan nomor yang dapat ditari, solo Cannonball di sini sangat petualangan dan penuh percaya diri. Lagu pembuka, Spontaneous Combustion, dimulai dengan nada piano seperti jaring laba-laba sebelum band memasuki groove bluesy yang sempurna untuk malam berdansa di klub. Saat lagu berjalan, ia mengubah ritme dan kita mendapat solo bass dan drum. Ini adalah klasik Cannonball; selalu siap untuk bersenang-senang, tetapi tidak pernah melupakan bahwa jazz juga merupakan seni. Atau mungkin sebaliknya. Vibe ini terus berlanjut sepanjang album hingga akhir. Pastinya mendengarkan yang hebat di musim semi.
\nMempersembahkan juga menjadi debut untuk saudara Cannonball dan kolaborator seumur hidup, Nat Adderley. Nat, yang merupakan trompetis sangat berbakat, akan memiliki album solonya sendiri yang dirilis hanya dua minggu setelah Mempersembahkan Cannonball Adderley diluncurkan. Juga bergabung dengan saudara Adderley adalah Donald Byrd, Horace Silver, Hank Jones, Paul Chambers, Kenny Clarke, dan Jerome Richardson. Semuanya adalah legenda di era bebop klasik jazz.
CJ Hurtt is a record nerd and writer who lives in a remote fishing village in the Pacific Northwest. His work has appeared in Word Riot, various games for Aegis Studios, and Brain Scan Comics.
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