Strahinja Mitrović: The Rising Star Bridging Tradition and Innovation in Classical Music

Table of Contents

1. Key Highlights
2. Introduction
3. From Sports to Strings: An Unforeseen Journey
4. Embracing the Double Bass
5. Breaking Barriers at Guildhall
6. A Progressive Vision for Classical Music
7. The Influence of Fashion and Performance
8. Balancing Artistry and Physicality
9. Looking Ahead: Future Performances and Aspirations
10. FAQ

Key Highlights

• Strahinja Mitrović, a Serbian double bassist, transitioned from athletics to classical music due to injuries, discovering his passion for the double bass during high school.
• At the Guildhall School of Music and Drama, Mitrović has accomplished historic feats, including winning the Gold Medal competition as the first double bassist.
• He advocates for innovation in classical music performance, challenging traditional norms through his unique fashion choices and artistic vision.
• His upcoming performances include a debut at Wigmore Hall, marking the continuation of his commitment to infusing fresh perspectives into the classical music scene.

Introduction

At just 24 years old, Strahinja Mitrović embodies the new wave of classical musicians striving to meld tradition with innovation. Once an aspiring athlete from Serbia, Mitrović found his calling not on the football pitch but on the concert stage. His journey has woven together the threads of athletics, passion for music, and a determination to carve a unique identity in an oft-staid industry, making him a compelling figure in today’s classical music scene. His story illuminates the paths taken by many young artists who, like him, weather various life changes before realizing their true calling.

Mitrović's recent recognition as a Classic FM Rising Star of 2025 attests to his growing influence and promise. As he stands at the intersection of tradition and modernity, his experiences underscore several critical themes relevant to the classical music world today: innovation, authenticity, and a fresh approach to performance.

From Sports to Strings: An Unforeseen Journey

Mitrović's journey into the classical music realm began rather unexpectedly. Originally dedicated to sports, particularly athletics and football, he experienced two hip injuries that altered the course of his life. The warning from his physiotherapist uncle became a catalyst, influencing his decision to hang up his boots and pivot towards a new passion. This transition is significant not only for Mitrović personally but also reflects a broader narrative of how artists often stumble upon their creative destinies through unforeseen circumstances.

The choice to study music in high school marked the turning point in his life. A fortuitous meeting with a supportive professor revealed his innate talent, leading to a recommendation for a specialist music school. It was here where he encountered the double bass—a choice stemming from his mother's past experiences rather than his own desires. “I didn’t really know what a double bass was at that time, so I wasn’t happy about it,” he recalls. Yet, what began as an inadvertent selection evolved into a profound love for the instrument.

Embracing the Double Bass

Initially indifferent to the double bass, Mitrović’s interest blossomed as he immersed himself in lessons and collaborated with peers in a chamber group. This supportive environment became a breeding ground for motivation, inspiring him to push through the initial intimidation he felt among more advanced musicians. “The environment was very driven and everyone involved was doing it for the love of music,” he shares. This camaraderie amongst fellow students played a pivotal role in solidifying his commitment to a career in classical music.

After several formative years, the prospect of pursuing studies in London under the guidance of renowned double bassist Rinat Ibragimov became a reality. This fateful move in 2019 to the Guildhall School of Music and Drama not only provided a platform for Mitrović to hone his skills but also solidified his identity as an artist eager to challenge the status quo in classical music.

Breaking Barriers at Guildhall

While double bassists typically play a supportive role at the back of orchestras, Mitrović’s performances are characterized by a vivid presence, commanding attention and reimagining the possibilities of his instrument. His exceptional talents culminated in a historic achievement when he became the first double bassist to win the prestigious Gold Medal competition at Guildhall. By triumphing in a field traditionally dominated by soloists of other string instruments, he has reshaped perceptions of what a double bassist can represent.

In his fourth year at Guildhall, he took the bold step of studying with a professor specialized in cello. “It’s really rare to have a professor that plays a different instrument. It gives a unique perspective to my studies and was part of the reason I decided to do my MA here,” he explains. This cross-instrumental approach highlights his commitment to diversifying his knowledge and skills, setting him apart in an industry that often maintains a rigid focus on traditional roles.

Mitrović attributes much of his growth and perspective to the various mentors who have guided him throughout his journey, alongside inspirations from figures outside classical music, such as artist Marina Abramović. “I’m very inspired by strong personalities, strong identities and, above all else, authenticity,” he states, emphasizing the importance of blending diverse influences into his artistry.

A Progressive Vision for Classical Music

Reflecting on the current state of the classical music industry, Mitrović shares his insights: “I think classical music is in a strange place right now. The scene is trying to be progressive but gets lost in tradition.” He calls for a balance between respecting composers' intentions and embracing innovation to attract new audiences.

Classical music has long been perceived as an elite art form, bound by tradition and formalities. Mitrović argues that these constraints might hinder its appeal to modern audiences seeking authenticity and creativity. He advocates for performances that not only honor historical compositions but also infuse new interpretations and presentational styles.

His perspective is not just theoretical; it is part of his personal practice as he navigates performance attire. While classical music performers often adhere to a strict dress code—typically black suits—Mitrović opts for fashion-forward looks, such as satin shirts and tailored trousers. “I’d rather miss a couple of performances than go on stage dressed in something I don’t feel comfortable in,” he emphasizes, highlighting the intersection of personal identity and artistry.

The Influence of Fashion and Performance

Fashion plays a significant role in Mitrović's approach to classical music, as evidenced by his invitation from British designer Patrick McDowell to perform at the SS24 London Fashion Week show. The event was staged at Guildhall, where Mitrović's performance was a mesmerizing blend of music and fashion, presenting classical music in a new light. His performances are akin to an intricate dance, reflecting a unique blend of athleticism and artistry—much like a dressage horse and rider in harmonious motion.

The cross-pollination of fashion and music has allowed Mitrović to reach broader audiences and challenge preconceived notions about classical performance. His dynamic stage presence and willingness to step away from traditional norms serve as a reminder that the classical music industry is capable of evolution.

Balancing Artistry and Physicality

Drawing from his background in athletics, Mitrović emphasizes the physical demands of playing the double bass. His commitment to fitness demonstrates an understanding that physical well-being is closely intertwined with artistic performance. “During lockdown, I wasn’t working out and I could feel the difference, both in my mental state and my playing,” he recalls. Since then, he has incorporated gym sessions into his routine, ensuring his body is fit to meet the demands of his craft.

This focus on physicality extends beyond mere exercise; it speaks to a larger cultural shift within classical music where health and wellness are increasingly recognized as critical components of an artist’s success.

Looking Ahead: Future Performances and Aspirations

As Mitrović embarks on the second year of his Master of Arts in Performance at Guildhall—achieving this milestone on a scholarship—he eagerly anticipates future performances that promise to further showcase his artistry. Notably, he will make his debut at Wigmore Hall in April, along with participating in the Chipping Campden Music Festival in May.

When asked about his long-term vision for his career, Mitrović expresses a pragmatic yet hopeful outlook. “I hope I can bring a fresh perspective to the industry through how I approach my work,” he asserts. With aspirations to maintain a classical music career for decades, he is aware of the challenges ahead but remains steadfast in his commitment to innovation.

In a decade marked by dynamic shifts in the classical music landscape, Mitrović exemplifies a generation of musicians dedicated to redefining what it means to be an artist. His passion, dedication, and authenticity are set to inspire future generations of musicians navigating the realms of both tradition and innovation.

FAQ

Who is Strahinja Mitrović?

Strahinja Mitrović is a 24-year-old Serbian double bassist, recognized for his contributions to classical music and his efforts to innovate within the genre. He was named a Classic FM Rising Star for 2025.

How did Mitrović transition from sports to music?

Following two hip injuries during his athletic career, Mitrović shifted his focus to music, initially studying in high school, where he discovered his passion for the double bass.

What notable achievements has Mitrović accomplished?

Mitrović made history by becoming the first double bassist to win the Gold Medal competition at the Guildhall School of Music and Drama and was invited to perform at London Fashion Week.

How does Mitrović view the current state of classical music?

Mitrović believes classical music is at a crossroads, trying to balance tradition with the need for innovation to attract new audiences.

What are Mitrović's future plans?

He has upcoming performances at Wigmore Hall and the Chipping Campden Music Festival, with aspirations for a long-term career in classical music focused on bringing fresh perspectives.