In the evolving landscape of music, where artificial intelligence threatens to reshape the very fabric of creativity, few voices resonate as powerfully as that of Billy Corgan, the iconic frontman of the Smashing Pumpkins. In early 2025, Corgan launched his weekly podcast, "The Magnificent Others," in partnership with Bill Maher’s Club Random Studios. This venture reflects not only Corgan’s artistic evolution but also his keen awareness of the seismic shifts occurring within the music industry itself. During a recent conversation, Corgan lamented the impending disruption of how music is produced and consumed, suggesting that in a mere decade, the industry could look entirely different—a shift comparable to the transition from silent films to sound.
Corgan’s podcast serves as a platform for dialogue, storytelling, and the exploration of artistic creation in a time when AI is becoming increasingly relevant. In this article, we will delve into Corgan’s vision for the future of music, the implications of AI on the industry, and how he is carving out his space in new media.
The music industry has long been a dynamic field, one shaped by technological innovations from vinyl records to digital downloads. However, Corgan is now sounding alarm bells about the rise of artificial intelligence. He paints a grim picture when discussing AI’s potential impact on music creation: “It’s over. Whatever you think of music, how it’s made, pop stars—all of it—it’s over. In 10 years, the landscape will be completely different.”
As he articulates, AI could soon dominate the way music is produced, presented, and monetized. Corgan argues that while AI can enhance marketing efforts, the use of algorithms to create music lacks the soul and essence that human artists imbue in their work. By elevating technology to a creator's role, Corgan believes we risk losing the inherent artistry that music represents.
Corgan's frustration with the media landscape extends beyond the music itself. He critiques current music journalism, pointing out that it often prioritizes clickbait over substantive storytelling. “You’re held to weird standards—it’s just clickbait,” he explains. The quest for sensationalism, he argues, has distorted the narratives surrounding artists, pushing them into defined boxes that can diminish their creative contributions.
In the past, artists like Corgan relied on media outlets to convey their stories, but the advent of social media has motivated many to take control of their narratives directly. For Corgan, this meant not only engaging directly with fans but also turning to podcasting as a means to reclaim his voice.
Corgan’s podcast, "The Magnificent Others," invites listeners into conversations with various luminaries in the music and entertainment industries, from Gene Simmons to Pat Benatar. “I think I’ve had to learn how to be my own media in the last 10 years with the decline of the state of journalism, particularly in music,” he shares, emphasizing the personal nature of storytelling in his new medium.
When asked about the motivations behind starting a podcast, Corgan reflects on the lackluster feedback he'd received when exploring the podcasting landscape in the past. However, the momentum picked up when Maher’s producers approached him after he appeared on "Club Random," leading him to realize the potential of creating a platform that resonates with listeners.
Corgan’s role as both host and subject in the podcast offers a rare glimpse into his multifaceted artistic identity. Emphasizing his newfound comfort in this dual role, he expresses enthusiasm for engaging in candid conversations that balance the pressures of public life. “Being in public life at a certain level has a certain pressure to it that’s very, very unique,” he explains.
The podcast serves as both an artistic outlet and a critique of mainstream media’s portrayal of musicians. The discussions on "The Magnificent Others" allow Corgan to probe deeper into the artistic journeys of his guests, fostering an environment where their stories are treated with the complexity they deserve.
Corgan’s ventures extend beyond music and podcasting. In addition to his successful contributions to the Smashing Pumpkins, he has developed a diverse business portfolio that includes Madame Zuzu’s Emporium, a tea shop in Highland Park, Illinois, and ownership of the National Wrestling Alliance (NWA). This eclectic mix reflects his DIY ethos rooted in punk culture. Across these various endeavors, Corgan is continually searching for ways to build sustainable ecosystems that enable artists, including himself, to thrive independently of traditional media channels.
The tea shop, which doubles as a performance venue, embodies Corgan’s vision of creating a community space that intertwines different art forms. By offering a platform for musicians, poets, and other creatives, Madame Zuzu’s cultivates a grassroots environment reminiscent of the intimate venues that defined the early days of the Smashing Pumpkins.
Corgan’s apprehension about AI also brings to light broader societal questions about artistry and authenticity. He expounds on the potential of AI in marketing, acknowledging its ability to streamline processes and expand reach. However, he staunchly opposes its application in music composition, arguing that quantifying creativity detracts from the unique emotional resonance present in human-created music.
He uses an analogy comparing AI-generated content to pornography—while both may be financially beneficial, they lack the depth and significance of a well-crafted narrative. “To me, that’s the difference between porn and a well-made film,” Corgan asserts. This emphasis on the soul of music invites deeper reflection on the implications of integrating technology into the creative process.
Corgan suggests that the music landscape is on the precipice of an epochal shift due to advancements in technology. This impending transformation reflects historical trends; just as the shift to sound cinema in the late 1920s fundamentally altered the film industry, Corgan believes AI will redefine music production and consumption.
“This is a significant change in the way people will make and consume music,” he emphasizes. Throughout the history of music, changes in production methods have ushered in new genres, styles, and cultural phenomena. This trend suggests that today's technological advances might lead to the emergence of genres and forms that have yet to be imagined.
As Corgan maneuvers through this transformative landscape, he remains committed to transparency and authentic dialogue. By dismantling the barriers that traditionally separate artist and audience, Corgan aims to sustain a direct and engaging communication channel with his followers. He understands that fostering such connections is crucial as artists navigate the complexities of an evolving industry landscape marked by scientific and cultural shifts.
While advocating for a return to genuine artistry, Corgan is also conscious of the need to adapt to the emerging technological landscape. As he states, “You look at the tools available, pick them up, play with them, and see where you can gain traction.” This perspective underscores his willingness to explore how the tools of modernity can support creativity rather than stifle it.
Billy Corgan’s foray into podcasting is more than just another chapter in his illustrious career; it represents a bold declaration of independence in an industry poised for reinvention. As he articulates a clear vision for the future of music amidst the looming influence of AI, he advocates for a return to authenticity and emotional connection in art. Corgan’s podcast offers a refreshing alternative to the clickbait-centric storytelling that has come to dominate music journalism, allowing space for deeper conversations about creativity, transformation, and the soul of music.
In looking toward the future, Corgan remains determined to challenge the status quo. His message is clear: while the tools of creation may change, the essence of music—rooted in human experience—should never be sacrificed on the altar of technological convenience. As we witness the impending changes across the music landscape, Corgan’s voice will undoubtedly be influential in shaping the dialogues that define the next era of artistic expression.
Q: What is Billy Corgan's new podcast about?
A: Billy Corgan's podcast, titled "The Magnificent Others," features interviews with notable figures in the music and entertainment industries, focusing on their personal stories and artistic journeys.
Q: How does Corgan feel about AI in music?
A: Corgan has expressed strong concerns about AI's role in music composition, viewing it as detrimental to the artistry and emotional authenticity that define music. He supports AI's use in marketing but questions its implications for creativity.
Q: What other business ventures does Billy Corgan have?
A: In addition to his music career, Corgan owns a tea shop called Madame Zuzu's Emporium and the National Wrestling Alliance (NWA), through which he aims to create community spaces for artists.
Q: Why did Corgan decide to launch a podcast?
A: Corgan sought to take control of his narrative in a changing media landscape, feeling that traditional music journalism often misrepresents artists. Podcasting allows him to engage directly with an audience.
Q: What does Corgan mean by "be your own media"?
A: Corgan uses this phrase to describe the need for artists to create their own channels of communication, independent of traditional media outlets, to convey their stories authentically and effectively.