On April 12, 2025, a sense of hope and rebellion reverberated through Gloria Molina Grand Park in Los Angeles as Neil Young, alongside Joan Baez and Maggie Rogers, electrified a crowd of 36,000 people at the "Fighting Oligarchy" rally. This was not just another concert; it was a vivid reminder of music’s profound role in activism and its ability to galvanize collective action. The poignant lyrics and fervent performances echoed themes of social justice, equality, and environmental concern, drawing parallels between the musical legacies of these iconic artists and the ongoing struggles facing society today.
Set against a backdrop of pressing political issues in America, Young's performance of “Rockin’ in the Free World,” alongside his fellow musicians, became a cathartic experience for many, merging nostalgia with the urgency of modern activism.
This rally marked a significant moment in a politically charged election cycle, where Bernie Sanders and Alexandria Ocasio-Cortez have rallied supporters around themes of economic justice and the fight against corporate greed. The event's focus came at a time when many Americans feel marginalized by the political elite. It featured a diverse lineup that included not only Young, Baez, and Rogers but also artists like Jeff Rosenstock, Dirty Projectors, and Indigo De Souza, making the rally a celebration of music’s role in the fight for justice.
The sight of Young, Baez, and Rogers on one stage was nothing short of historic. Each artist carries a legacy of activism:
Rogers opened the event with songs that resonate deeply with her generation, including “Different Kind of World” and “Light On.” Her message was about creating a more inclusive environment, aligning perfectly with the rally's themes.
As the sun dipped below the horizon, Young ignited the stage gripping his iconic 1953 Gibson Les Paul, affectionately known as Old Black. His performance began with "Rainbow of Colors," a reflective piece emphasizing unity amid diversity. The chorus resonated deeply, especially in a city known for its varied tapestry of cultures and identities.
"There’s a rainbow of colors In the old USA, / No one’s gonna whitewash those colors away," Young sang, reminding the audience of the strength found in diversity.
This set the tone beautifully for the climactic performance: an extraordinary solo rendition of “Rockin’ in the Free World,” where Young’s harmonica replaced a traditional guitar solo, delivering a raw emotion that pulsed through the crowd.
“Rockin’ in the Free World,” originally a commentary on socioeconomic issues in the late 1980s, took on new meaning during this performance. Youthfully energizing the crowd, Young called on attendees to chant “Power to the People” and “Take America Back” between verses. The historical implications of the song’s lyrics clashed against contemporary socio-political landscapes, illustrating the song's continued relevance.
The missed final verse, addressing homelessness and corporate greed, served as a poignant reminder of ongoing struggles against systemic issues. "Thank you folks," Young concluded after the song, insisting that attendees continue their work towards change long after the rally ended.
The combination of these three artists' styles pulled the audience deeper into the narrative of the event. Joan Baez’s vulnerability in her performance of Bob Dylan’s “Don’t Think Twice, It’s All Right” connected the past to the present, while her musicality added a layer of introspection amidst the larger rally themes.
"Music is a way of creating dialogue," Baez remarked in her set, encapsulating the night’s essence. "These songs are not just notes and rhythms; they are stories—our stories."
Similarly, Rogers enriched the evening with numbers that articulate the frustrations and hopes of younger activists, emphasizing the urgency and importance of fighting for a just tomorrow.
Throughout history, music and social movements have intertwined, creating a powerful synergy that inspires political change. Young, Baez, and Rogers carry this forward with their unique voices, representing diverse generations united through music. The interaction between the crowd and artists exemplified how songs can transcend time; they become catalysts for solidarity and personal connection.
As Young prepares for a year packed with performances—including an upcoming world tour and benefits—the implications of his work resonate beyond the stage. His criticism of political figures like Donald Trump highlights a climate where artists feel emboldened to speak out and challenge ideological boundaries.
Amid recent world events, from climate disasters to social injustice protests, Young's concern about potential barriers to his return to the U.S. post-tour reflects artists’ collective anxiety in a time of polarized politics.
“If you say anything bad about Trump or his administration, you may be barred from re-entering USA if you are Canadian,” he wrote candidly to fans. “It's a perilous time for free speech.”
This revelation aligns with broader conversations about artist safety and freedom of expression, where many in the industry grapple with the consequences of their vocal stances against authority.
Events like the "Fighting Oligarchy" rally show that music can mobilize communities, raise awareness, and spark important conversations. The harmonious collaboration emphasized that the arts remain a powerful medium for resistance against oppressive systems.
By reflecting on the event and its underlying messages, fans and spectators can find encouragement to engage actively in socio-political issues, advocating for equity through various means.
As Young noted, “Just keep coming back, people,” encapsulating the necessity of continued activism. The voices of Young, Baez, and Rogers remind us that while art can entertain, it can also challenge us to reflect on our roles as global citizens.
The rally aimed to raise awareness around political issues, focusing on economic justice and corporate influence in government, driven by leaders like Bernie Sanders and Alexandria Ocasio-Cortez.
In addition to Young, Joan Baez, Maggie Rogers, Jeff Rosenstock, and other acts performed during the event, making it a diverse showcase of talents united for a common cause.
Young performed "Rockin’ in the Free World" and “Rainbow of Colors,” while Baez covered classics like “Imagine.” Rogers performed original songs like “Different Kind of World.”
Historical context shows that artists have long used music to advocate for social change. The performances at the rally serve as a modern iteration of this tradition, continuing the dialogue around pressing issues in society.
Neil Young has a busy concert schedule ahead, including a benefit show in Ontario and an upcoming world tour, illustrating his ongoing commitment to music and activism.
In this rally, the synergy between performance and purpose displayed how music serves not just as an art form but also as a rallying cry for collective social action, inspiring attendees to continue their fight for a more equitable future.