In a surprising turn of events, the celebrated band Brand New has announced their return to the stage, revealing plans for a US tour—their first in nearly a decade. The announcement comes on the heels of their initial public reunion performance, marking the band’s return after a lengthy hiatus linked to serious allegations against frontman Jesse Lacey. These allegations, which surfaced in 2017, involved accusations of sexual misconduct. As the band prepares for a tour set to span across 24 cities, discussions surrounding the implications of their comeback have sparked considerable debate among fans and the music industry alike.
Formed in 2000 in Long Island, New York, Brand New quickly gained a significant following with their fresh sound that seamlessly blended alternative rock with introspective lyrics. The band's 2001 album Your Favorite Weapon showcased their raw, youthful energy, gaining them traction in the burgeoning emo scene. Their subsequent albums—Deja Entendu, The Devil and God Are Raging Inside Me, and 2017's Science Fiction—solidified their reputation as one of the genre's most significant bands.
The band's music often tackled themes of personal struggle, emotional turmoil, and societal issues, resonating deeply with listeners across generations. However, their journey took a pivotal and troubling turn in 2017 when allegations of sexual misconduct against Lacey led to the cancellation of their UK tour.
In late 2017, Lacey was accused by multiple women of inappropriate behavior, including sexual misconduct involving a minor. In the aftermath, the band faced significant backlash, resulting in social media pressures, canceled performances, and Lacey's public apology.
In a lengthy statement, Lacey expressed remorse and acknowledged his past mistakes, stating: "I was selfish, narcissistic, and insensitive in my past. I apologize for the hurt I have caused and hope to be able to take the correct actions to earn forgiveness and trust." While some fans called for accountability, others expressed their desire to separate the artist from the music.
The band’s recent reunion shows, the first of which took place in March 2025 after a secret performance late the previous year, signaled a tentative resurgence in their career. Fans welcomed the news, celebrating the chance to see Brand New live again. The momentum peaked when the band released new tour dates, which were heavily anticipated.
The tour will kick off in Seattle and Portland at the end of May, followed by performances in major cities including Los Angeles, San Diego, Denver, and Atlanta, culminating with two shows in Philadelphia and Belmont Park in New York. Participating venues have taken a proactive approach by disabling comments on their social media posts regarding the tour announcement, anticipating potential backlash from the public due to Lacey's past actions.
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The announcement of the upcoming tour renewed discussions within the music community about the implications of supporting artists with controversial histories. Immediately, fans, critics, and advocacy groups took to various platforms to express their mixed feelings about attending the concerts. Some fans are eager for the nostalgia and emotional connection to the band’s music, while others stand resolutely against any support for Lacey's return to the spotlight.
This dual sentiment also translates into broader societal discussions about the music industry, accountability, and the ongoing effort to support victims in the wake of allegations against high-profile figures.
The decision by venues to disable comments on their promotional posts reflects an industry increasingly aware of backlash risks. It accentuates a larger trend across the music community to establish boundaries and create safe spaces, particularly as the industry grapples with high-profile cases of misconduct.
This approach, while protecting venues and artists from potential conflict, raises questions about transparency and engagement between artists and their audience. Comment sections often serve as conduits for fan interaction that can bolster community but also possess the potential for outpouring of dissent.
As tickets begin to sell for the upcoming tour, the response from fans has been polarized. Social media platforms witness a mix of enthusiasm and discontent. Some fans express eagerness to reconnect with the band's work, while others urge a boycott to hold artists accountable for their past actions.
The inherent tension reminds the music community of the need for constant dialogue surrounding ethical practices in production, performance, and promotion. Industry professionals are taking note of the changing landscape; they recognize the need to establish clearer policies and support systems that can offer artistic communities more robust responses to allegations as they arise.
In particular, the involvement of survivors’ advocacy groups within the music industry is becoming more pronounced. These groups aim to ensure that victims' voices are heard and that accountability is maintained at all levels, from artists to management.
Brand New’s situation is not isolated within the music scene. Several artists have faced similar allegations, leading to discussions about their music and their legacies.
Chris Brown: A controversial figure in contemporary music, his career has endured despite multiple allegations of violence and misconduct. Many fans continue to support him, sparking debates about separating the artist from the art.
Kesha vs. Dr. Luke: Kesha's legal battles with Dr. Luke showcased a stark contrast, with many in the industry rallying behind her cause. It highlighted the necessity for systemic changes and the protection of artists against abuse.
Mariah Carey: After her 2001 New York City Club incident brought her under scrutiny, discussions ensued regarding the changes in audience tolerance towards misconduct and behavioral standards.
Each instance further complicates the conversation surrounding celebrity culture, where public personas are often at odds with grave accusations that require significant deliberation from both fans and the industry.
As Brand New prepares for their 2025 tour, the implications of their return resist simple categorization. This situation presents a nuanced perspective on the relationships between artists, their past behaviors, and the responses of audiences in contemporary society.
The rise of #MeToo and the ongoing discourse about consent and accountability indicate that artists must navigate their careers with greater sensitivity toward their actions, as consequences now extend far beyond the courtroom and into the realm of public opinion and support.
Brand New's impending tour encapsulates the complexities of artistic revival in the face of past controversies. While music remains a powerful vessel for emotional and personal connection, the dynamics of trust, accountability, and community engagement remain at the forefront of discussions surrounding artists’ legacies.
As the tour launches amidst strong feelings from multiple sides, the music industry continues to evolve, championing better practices to navigate these emotional and ethical landscapes effectively.
Brand New paused their activities following allegations of sexual misconduct against lead singer Jesse Lacey in 2017, leading to canceled tours and a public apology from Lacey.
Brand New performed a series of reunion shows in March 2025, marking their first public performances since 2017, following a secretive performance that hinted at a comeback.
Many venues have disabled comments on social media posts about the tour to prevent negative reactions and maintain a focus on the event itself.
Fan reactions have been mixed, with some enthusiastic about the return to live music, while others express concerns regarding Lacey's past actions and advocate for a boycott of the tour.
Brand New's situation reflects broader trends in the industry, where fans grapple with the dichotomy of supporting artists while holding them accountable for their past actions amid changing societal norms and expectations.