Zach Bryan's journey in the music industry has been nothing short of spectacular. From a debut that captured hearts to a series of chart-topping hits, he has solidified his standing in the country music scene. Most recently, his song "Oklahoma Smokeshow" has once again captured the limelight, reaching No. 1 on Billboard's Top TV Songs chart in February 2025, ignited by its feature in CBS's hit series Tracker. This story delves into the implications of Bryan's success, the interconnectedness of television and music, and what this means for artists and audiences alike.
Originally released on his acclaimed album American Heartbreak in 2022, "Oklahoma Smokeshow" peaked at No. 72 on the Billboard Hot 100. However, its recent placement in the February 23 episode of Tracker catalyzed a significant surge in streams and downloads. According to data reported by Luminate, the track garnered an explosive 18 million official on-demand U.S. streams and upwards of 1,000 downloads in February alone. This highlights a burgeoning trend where streaming numbers spike as songs become integrated into popular TV narratives.
Synchronization, or "synch," refers to the process of pairing music with visual media, allowing artists to reach wider audiences. In the case of "Oklahoma Smokeshow," its use in Tracker showcases an increasingly prevalent strategy that can elevate a song's visibility significantly. Synch in television not only offers exposure to new listeners but can also breathe new life into older tracks, giving them a second chance at commercial success.
The Billboard Top TV Songs chart, curated with the aid of Tunefind, showcases the intersection of music and television, tracking the popularity of songs based on leverage in TV shows. The rankings are a blend of song data, sales figures, and streaming information. Bryan leads this particular charge, following closely by Candlebox’s “Far Behind,” which made its chart debut largely due to a feature on Yellowjackets. This shows a solid correlation between the visual storytelling of a show and the consumption of associated music.
Following Bryan's triumphant return to the top, Candlebox's "Far Behind" and Bush's "Glycerine" also made substantial impacts. "Far Behind" debuted at No. 2, driven by its appearance in Yellowjackets, prompting 7.2 million streams and 1,000 downloads. Bush’s "Glycerine" secured a third spot, owing to similar exposure, reinforcing the lasting appeal of '90s nostalgia. Additionally, songs from diverse eras, including Tiffany’s cover of “I Think We’re Alone Now” and Cat Stevens' “Morning Has Broken” showcased the multidimensionality of music synched in contemporary storytelling.
The integration of songs with nostalgic significance into current programming speaks to a shifting cultural zeitgeist. This phenomenon allows new audiences to discover past tracks, while those familiar with the originals may appreciate them in a new context. The emotional undercurrents of songs like "Glycerine" resonate strongly within the narratives of modern television, effectively enhancing viewer engagement.
The success of "Oklahoma Smokeshow" suggests shifting dynamics in how music is consumed and promoted. Artists and their management teams are increasingly recognizing the potential of synch licensing as a revenue stream and marketing strategy.
Through these avenues, Bryan's continued success marks a crucial turning point, encouraging newer and upcoming artists to explore cinematic opportunities alongside traditional routes.
To appreciate the exponential potential within the convergence of television and music, let's observe a couple of case studies.
Bryan's previous single, "Something in the Orange," also enjoyed success through its use in another CBS property, Fire Country. Released in November 2022, the song peaked on the Top TV Songs chart by harmonizing its emotional resonance with key scenes in the series, encasing Bryan's artistry in television's storytelling arcs.
The success of Yellowjackets music extends beyond just a few songs. The show's eclectic mix—from ‘90s tracks to contemporary covers—has stylized its narrative and deepened character developments, while simultaneously reviving the careers of past artists and propelling new artists into the spotlight. The show exemplifies an innovative approach to engage with the audience on multiple sensory levels—visual, auditory, and emotional.
With Zach Bryan's "Oklahoma Smokeshow" leading the Top TV Songs chart, it is evident that music has transcended its boundary defined solely by audio platforms. Television has become a powerful machine in curating music's visibility and success. Upcoming seasons and new show launches will likely continue exploring music-driven narratives, creating invaluable opportunities for artists.
The heart of this shift is a new generation of consumers who favor streaming access over traditional album purchases—both of which further supports the synch industry. For artists, aligning with visual media may no longer be just an option; it is becoming an essential part of their strategic planning.
The Billboard Top TV Songs chart tracks the popularity of songs used in television shows, drawing data from sales, streaming, and audience engagement.
Synch licensing is an agreement that allows a song to be paired with visual media, such as television shows, movies, or advertisements, allowing artists to earn royalties and gain exposure.
Being featured in a popular show often leads to significant increases in streaming and sales for a song, as it exposes the music to a wider audience that may not be familiar with the artist.
Not all songs are eligible for synch licensing. The decision often depends on the rights held by the artists, record labels, and publishing companies, as well as the specific creative direction of the television show or film.
Yes, upcoming artists can significantly benefit from synch opportunities. These placements can enhance visibility, drive sales, and establish their presence in the industry through association with successful media projects.