Kenshi Yonezu's ascent in the global music scene is nothing short of remarkable. Though once a shy younger musician using the alias "Hachi," he has cemented his legacy as one of Japan's most significant cultural exports. This rise culminated in a recent world tour that showcased his eclectic sound—a fusion of J-pop, rock, and experimental electronic music—to delighted fans across major U.S. cities. In an exclusive interview, Yonezu shared insights into his creative process, the evolution of his music, and his thoughts on the increasingly prevalent role of artificial intelligence in artistic expression.
Since debuting in 2012, Yonezu has shifted from creating Vocaloid music to producing chart-topping hits like "Lemon," "Kick Back," and the theme songs for celebrated anime features such as "Chainsaw Man." His diverse artistry continues to capture the imaginations of audiences not just in Japan, but worldwide.
Yonezu reflects on the gradual acceptance of Japanese music in the West: "Since I've been doing Vocaloid for a long time, there have been people who have been waiting for me," he explains. "I thought the time was right to be able to go overseas and do a live performance for them." His recent performances, including a historic show at Radio City Music Hall, reflect this shift, marking his first substantial engagements outside Japan in over a decade.
Yonezu's musical journey demonstrates an active pursuit of artistic freedom that defies genre constraints. While he acknowledges his roots in J-pop, he insists that his creative interests guide him rather than conventions. “I’m not really interested in pursuing my own style per se or one fixed style [...] When working on your own, there are no restrictions about what you have to do,” he shares. This adaptive approach signifies how artists can evolve in response to their influences, as evidenced by his shift from pop to R&B, jazz, and rock.
For Yonezu, melody is the core of his artistic expression. He elaborates, “I’m a person who creates songs, so melody is very important to me.” This passion for melody stems from early influences in alternative rock music—a genre that still resonates with him today. Despite the technological evolution in music production, Yonezu argues that melody remains a vital element. “It might be interesting to be able to create music that doesn’t rely on melody too much. Maybe rap would be interesting,” he muses, revealing a willingness to experiment with new styles.
The past few years have seen a burgeoning discussion around A.I. in creative spaces, and Yonezu is not immune to its complexities. He is both intrigued and concerned about the rapid development of A.I. capabilities, especially regarding music replication. “I’ve heard songs on the internet where people have used A.I. to imitate me. [...] When I listen to these songs, they're supposedly my voice—sometimes I really think that was me,” he explains.
Despite the allure of A.I. technology, Yonezu expresses unease, stating, "I do feel strongly that it's immoral. [...] I have to find a way to work together with it.” His reflections indicate a broader cultural dialogue regarding authenticity and the role of technology in self-expression, particularly in a field long defined by a personal touch.
Yonezu also points to significant cultural shifts, particularly the increasing isolationism in Japanese music consumption. “Sadly, not many [Japanese] people are listening to music from overseas. It’s usually the choice between either Japanese music or K-pop." This trend perhaps illustrates a growing comfort in cultural identity among Japanese listeners but also raises questions about globalization's impact on artistic diversity.
In a world increasingly fascinated by Japanese culture—anime, games, and music—Yonezu acknowledges the pandemic's role in this global phenomenon. “The COVID pandemic was the catalyst for Japanese anime to expand even more in the global scene. That helped a lot,” he states. His insight underscores the way cultural exchanges are evolving in our connected world.
Performing before Western audiences has also opened Yonezu's eyes to cultural differences in concert experiences. He notes the compelling nature of audience participation in the West, where responsive foot-stomping accompanies cheers—a stark contrast to how audiences engage during performances in East Asia. This observation highlights the diverse ways in which cultural backgrounds influence how music is experienced, and it poses an intriguing question about identity in performance art.
As Yonezu continues to reflect on the trajectory of his career, he's keenly aware of his growing international fanbase. “I was profoundly moved to have been so passionately welcomed by them,” he says, expressing gratitude for the connections forged through music. Moving forward, he aims to become more conscious of fostering these global relationships.
He acknowledges the importance of continuing to create art that resonates with both local and international audiences, stating, “I don’t have a concrete goal, but this world tour has helped me realize just how many people outside of Japan have been listening to my music.”
Yonezu has recognized the increasing acceptance of Japanese music internationally. His extensive background in Vocaloid music has cultivated a dedicated fanbase that he felt ready to engage in live performances outside of Japan.
Yonezu resists categorization into a single musical genre, embracing a blend of J-pop, rock, and electronic sounds influenced by his love for various musical styles and the creative freedom he enjoys while working independently.
He expresses both intrigue and concern about A.I., citing its ability to replicate his voice and music artfully. However, he emphasizes the moral dilemmas it presents and stresses the need for artists to navigate its use carefully.
Yonezu’s career began with the internet culture surrounding Vocaloid, and he mentions a shift in Japan towards a more domestically-focused music scene, which has shaped his identity as an artist while inspiring a broader global appreciation for his work.
He notes the vocal enthusiasm of Western fans, particularly the sound of foot stomping that resonated deeply with him as a unique expression of audience engagement compared to reactions he experiences in East Asian concerts.
Through his experiences and reflections, Yonezu highlights the interconnectedness of cultural identity and artistic expression, illustrating how his journey resonates on both local and global scales. As he moves forward with his career, the interplay of tradition, technology, and creativity will undoubtedly shape the next chapter of his remarkable journey.