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VOL № E130 — October 2023

Why you'll love it...

Ray Barretto’s songs are cinematic. Artfully composed, richly orchestrated, each one feels like something deserving of big-screen wonderment. And, indeed, from Martin Scorsese’s Mean Streets (“Ritmo Sabroso”) and Oliver Stone’s JFK (“El Watusi”) to Lee Daniels’ Precious (“Teacher of Love”) to Tom McCarthy’s Spotlight (“Cocinando Suave”), his music as a bandleader made it into movies of major importance across the decades. Of course, you don’t need to be a card-carrying cinephile to appreciate the moods and magnitudes expressed by his work, especially his seminal 1968 album Acid for Fania Records.

It takes more than a minute into “Acid” before Barretto begins showing off on the congas, leadin...

Ray Barretto’s songs are cinematic. Artfully composed, richly orchestrated, each one feels like something deserving of big-screen wonderment. And, indeed, from Martin Scorsese’s Mean Streets (“Ritmo Sabroso”) and Oliver Stone’s JFK (“El Watusi”) to Lee Daniels’ Precious (“Teacher of Love”) to Tom McCarthy’s Spotlight (“Cocinando Suave”), his music as a bandleader made it into movies of major importance across the decades. Of course, you don’t need to be a card-carrying cinephile to appreciate the moods and magnitudes expressed by his work, especially his seminal 1968 album Acid for Fania Records.

It takes more than a minute into “Acid” before Barretto begins showing off on the congas, leadin..." data-full="

Ray Barretto’s songs are cinematic. Artfully composed, richly orchestrated, each one feels like something deserving of big-screen wonderment. And, indeed, from Martin Scorsese’s Mean Streets (“Ritmo Sabroso”) and Oliver Stone’s JFK (“El Watusi”) to Lee Daniels’ Precious (“Teacher of Love”) to Tom McCarthy’s Spotlight (“Cocinando Suave”), his music as a bandleader made it into movies of major importance across the decades. Of course, you don’t need to be a card-carrying cinephile to appreciate the moods and magnitudes expressed by his work, especially his seminal 1968 album Acid for Fania Records.

It takes more than a minute into “Acid” before Barretto begins showing off on the congas, leading into a nearly three-minute solo marked by fabulous flourishes that culminates with the full band, including pianist Cruz, showing their united might. Elsewhere on Acid, the group would have dutifully jumped headfirst into this mode, but here it is just a spectacular finish to a rhythmic story — Barretto’s story — told like the best film you’ve never seen.

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Label
Craft
Original Release Year
1968
Release Type
Reissue
Format
1 LP
Speed
33 1/3 rpm
Vinyl Size
12 inch
Weight
180 gram
Foil Stamped
Yes
Color
Orange Smoke
Jacket
Tip-On; Single
Mastering Studio
Sterling Sound
Mastering Engineer
Ryan Smith
Pressing Location
GZ Vinyl
Remastering Details
(AAA) Lacquers Cut From the Mono Master Tapes by Ryan Smith, Sterling Smith
Extras
Listening Notes Booklet by Gary Suarez, Art Print by Clay Conder
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